LaRouche Article

The Substance of Morality

by Lyndon H. LaRouche, Jr.

Appendix
(The case of Classical motivic thorough-composition)

Fidelio, Vol. VII, No, 4. Winter 1998

This article is reprinted from the Winter 1998 issue of FIDELIO Magazine.

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Appendix to ‘The Substance of Morality,’
by Lyndon H. LaRouche, Jr.,

A report compiled, under the direction of Anno Hellenbroich, by Liliana Celani, Ortrun and Hartmut Cramer, Bruce Director, Anno Hellenbroich, Stephan Marienfeld, Mindy Pechenuk, John and Renée Sigerson, Jonathan Tennenbaum, and Kathy Wolfe

(All files of this Appendix are linked to PDF files.
Files updated March 15, 2010)

Table of Contents

Introduction to Appendix:The case of Classical motivic thorough-composition
Lyndon LaRouche

Chapter 1: The tradition of Florentine bel canto
Liliana Celani, Kathy Wolfe, and Stephan Marienfeld

Chapter 2: J.S. Bach and inversion as a universal principle of development in the continuum of musical composition
Jonathan Tennenbaum

Chapter 3: J.S. Bach’s Art of the Fugue
Renée Sigerson

Chapter 4: The ‘Royal Theme’ from A Musical Offering in dialogue among Bach, Mozart, and Beethoven
Ortrun Cramer

Chapter 5: W.A. Mozart’s Fantasy in C Minor K. 475 and the generalization of the the Lydian principle through motivic thorough-composition
John Sigerson

Chapter 6: The principle of ‘time-reversal’ in Mozart
Mindy Pechenuk

Chapter 7: On questions of motivic thorough-composition in Beethoven’s late works
Anno Hellenbroich and Bruce Director

Chapter 8: Brahms’ Fourth Symphony: A masterpiece of motivic thorough-composition
Hartmut Cramer

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The Substance of Morality

by Lyndon H. LaRouche, Jr.

Join the Schiller Institute, and help make a new, golden Renaissance!

Join the Schiller Institute,
and help make a new, golden Renaissance!