Volume 7, Number 4, Winter 1998
Feature
The Substance Of Morality
by Lyndon H. LaRouche, Jr.
Basic ‘Anti-Entropic’ Physical-Economic Constraints
APPENDIX: The Case of Classical Motivic Thorough-Composition
Music, Education, and Morality
by Lyndon H. LaRouche, Jr.
Introduction to a report compiled by Liliana Celani, Ortrun and Hartmut Cramer, Bruce Director, Anno Hellenbroich, Stephan Marienfe1d, Mindy Pechenuk, John and Renee Sigerson, Jonathan Tennenbaum, and Kathy Wolfe
1. The Tradition of Florentine bel canto
by Liliana Celani, Kathy Wolfe and Stephan Marienfeld
2. J.S. Bach and Inversion as A Universal Principle of Development In the Continuum of Musical Composition
by Jonathan Tennenbaum
3. The Scientific Discoveries of Bach’s The Art of the Fugue
by Renée Sigerson
Comments on Bach’s Fugues by His Contemporaries
4. The ‘Royal Theme’ from A Musical Offering In Dialogue among Bach, Mozart, And Beethoven
by Ortrun Cramer
5. W.A. Mozart’s Fantasy in C minor, K. 475, And the Generalization of the Lydian Principle Through Motivic Thorough-Composition
by John Sigerson
6. The Principle of ‘Time-Reversal’ in Mozart’s Works
by Mindy Pechenuk
7. On Questions of Motivic Thorough-Composition in Beethoven’s Late Works
by Anno Hellenbroich and Bruce Director
8. Brahms’ Fourth Symphony: A Masterpiece of Motivic Thorough-Composition
by Hartmut Cramer